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Teen Stumbles Upon Hundreds Of Deer Running Through Forest

A screengrab from the video of the moment a herd of deer walked through the large forest in the U.K., and an overlay stock image of a doe deer. © Tristan Jordaan & JMrocek/Getty Images A screengrab from the video of the moment a herd of deer walked through the large forest in the U.K., and an overlay stock image of a doe deer.

The moment a large herd of deer ran through a forest was caught on camera by a teenager on a school expedition.

Tristan Jordaan, 15, was on a trip with his school in East Sussex, England, when halfway through the first day the huge herd of deer appeared.

"We were all very surprised as we didn't expect to see any deer, let alone a huge herd," Jordaan told Newsweek. "We stood there for about 10 minutes watching."

The teenagers were on a trip for their Duke of Edinburgh expedition. The Duke of Edinburgh Award is a U.K. Scheme for people aged 14 to 24 that was founded in 1956 by Prince Philip, the then-Duke of Edinburgh.

Herd of Deer Captured Running Across UK Forest

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    The scheme aims to help young people develop personal skills, engage in physical activities and participate in community service and adventures.

    A budding photographer, Jordaan jumped at the chance to capture the incredible moment when the deer flooded across the lush green forest.

    "It's probably one of my favorite wildlife experiences I've ever had," he said. "It just felt great and really beautiful to see."

    The video was taken at Ashdown Forest, located in East Sussex, England. Just 30 miles from London, the forest was originally a deer hunting space in Norman times. Now one of the largest public access spaces in the South East of England, it is also known as the home of the famous bear Winnie the Pooh.

    The beloved fictional character created by A.A. Milne, the British author lived near the forest and was inspired by the natural beauty of the area to create the much-loved books where many of the locations and landmarks are based on real places in Ashdown Forest.

    Known for free-roaming deer herds, including fallow and roe deer, they have been a huge part of the forest's ecosystem for many years. But they weren't the only wildlife that the group spotted.

    "We also saw a flock of swans, hawks, horses, pheasant and foxes," said Jordaan.

    After capturing the amazing footage, he shared it on Reddit where people were impressed at the deer herd—and of course, made a few well-placed jokes.

    "Needs Jurassic Park music," joked one commenter, while another joked: "They're moving in herds. They do move in herds," in another reference to the 1993 dinosaur movie.

    Another impressed viewer of the video said: "What an incredible flock of deer." While one commenter wrote: "That is amazing! Must've been awesome to see."

    Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@newsweek.Com with some details about your best friend and they could appear in our Pet of the Week lineup.

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    That's The Funny Thing About Grief

    "At this point in comedy, it's not enough to be funny," Ben Wasserman said in the Brooklyn funeral parlor where he staged his vaudevillian "Live After Death," which explores the death of his father and grandfather (not to mention his tragic lack of an agent). "You have to make people feel."

    MAYBE THAT WAS SAID with tongue in cheek, maybe not. Either way, there's no question that in certain quarters of comedy, jokes are not enough.

    For instance, at shows around New York, the quirky, swaggering Gastor Almonte has been performing a hilarious 10 to 15 minutes about his hatred of oatmeal. In a previous era that might have added up to a debut special that resembled the work of Jim Gaffigan. But when Almonte turned it into an hourlong solo show, "The Sugar," that material was beefed up with a soul-searching story about his diabetes diagnosis and how the prospect of mortality changed his family. Watching it, I confess I wondered what the Gaffigan version of this show would look like.

    "The Sugar" was staged downtown at Soho Playhouse, which has developed into a hub of weighty theatrical stand-up shows, many of which are transfers from the Edinburgh Festival Fringe. One of that theater's biggest hits of the year was Sam Morrison's breakthrough, "Sugar Daddy."

    Quick-witted and charismatic, Morrison delivered a tightly honed work about the pain of losing his boyfriend that is both a love letter to his partner and a self-deprecating satire of a culture of mourning, one that spoofs well-intentioned condolences and support groups. He argued that the difference between comedy and tragedy was thin, saying that in the plays of Shakespeare, "comedy is only tragedy with a marriage at the end." He explained that grief was lonely and impossible and "nothing helps as much as this show," before a pinpoint pause, "because you guys can't talk." And he flat out played the vain millennial fool. "What is trauma but unmonetized content?" he asks, echoing a line from "WandaVision," a series that itself is a grief narrative.

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    "She's So F--king Funny": Julia Louis-Dreyfus And Michaela Watkins's Sister Act

    In a standout episode of CBS's The New Adventures of Old Christine, Matthew (Hamish Linklater) panics at the realization that his sister, Christine (Julia Louis-Dreyfus), and his girlfriend, Lucy (Michaela Watkins), look distressingly alike. The scene turns into a surreal nightmare as Christine and Lucy, in matching red-and-white tennis outfits, start behaving identically before his very eyes—and it's sold by the chemistry between Louis-Dreyfus, then a two-year veteran on the sitcom that won her her first best-actress Emmy, and Watkins, a Groundlings alum in her biggest screen role to that point. It was the first time they'd ever worked together. And the whole bit was Louis-Dreyfus's idea—a chance to let the up-and-comer play a little. "There's no ego with Julia," Watkins says. "It was the happiest, most nontoxic, inviting workplace."

    This was 15 years ago. Since then, Watkins has led a show of her own, Hulu's Casual, and collaborated with Louis-Dreyfus repeatedly over the years: as a guest star on Veep, in a small role in the Nicole Holofcener film Enough Said, and now, taking on a meatier part as Louis-Dreyfus's sister in Holofcener's new movie, You Hurt My Feelings. Like an implicit callback to that first time they worked together, Louis-Dreyfus and Watkins play actual sisters, but this is no multi-camera sitcom. In true Holofcener form, the richly naturalistic comedy finds the humor in life's most painfully honest beats, the inciting incident being when Louis-Dreyfus's novelist overhears her husband (Tobias Menzies) saying he doesn't like her new book. What follows is a gorgeous, understated meditation on love, honesty, and the white lies that can keep us going. 

    In their first interview together about the film, Watkins and Louis-Dreyfus reflected on how their sisterly bond developed, and how it translated into the careful realism of You Hurt My Feelings.

    Vanity Fair: I wanted to go back to when you both met on The New Adventures of Old Christine. Julia, what was your first impression of Michaela?

    Julia Louis-Dreyfus: I had an immediate positive response to Michaela because she's so fucking funny.

    Michaela Watkins: This is awkward because I'm sitting right here.

    Louis-Dreyfus: Just put a napkin over your head. [Laughs] But yeah, her angle on material is unique, for real. Her cadence in speaking, her interpretation of dialogue is its own thing. She made me laugh like crazy. And we bonded pretty quick, right, Michaela?

    Watkins: Yeah. Can I give you my experience of working with Julia? Because at that point, it was more the infancy of getting to work in television. I had worked with a few people and there was such a clear, distinct line between the lead cast and then guest performers and everything: Thou shall not cross. And Julia was the funniest person in the world—and the warmest, and the coolest, and the most grounded. So I thought, is this just me? Am I kidding myself? But what you see is what you get. She's not going to shut you down. She's my hero.

    Louis-Dreyfus: Hey, that's enough. Don't say anything more.

    Watkins: No, no. Hold on. I want to say one more thing: The best joke wins. 

    Tobias Menzies and Julia LouisDreyfus.

    Tobias Menzies and Julia Louis-Dreyfus.

    Jeong Park

    How does that dynamic translate to a movie like this, which is very funny, but definitely not a sitcom. It's a very honest movie, so how did you find that shift working together?

    Louis-Dreyfus: Easy, to tell you the truth. The tone shift was something we were both very comfortable with. We both understood from the get-go what the tone was. Michaela and I have worked with Nicole before, and you know what? "Best joke wins" applies to this one too. Not that it was chock-full of jokes—I mean, it's definitely a funny movie, but it's a different tone. But having lunch with our mom, that was all improvised. It's playing tennis—back and forth, back and forth.

    Watkins: It was really fun. I would say the "best joke always wins" was still 100% because I would maybe mutter something and you'd be like, "Huh?" And then I would say it a little louder, but only for Julia's benefit. [Laughs] And Julia would be like, "Well, why don't we just do that?" And then same with if Julia felt like saying something, then it was such a gift every time. In Nicole's script, you can't tell what would be improvised anyway, because it's so natural. And I instantly felt the sister thing as so familiar. Julia shows up as a whole sister. My job is the easiest thing in the entire world.






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