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5 Best Batman Villains Ever, Ranked

Is Batman the greatest character in comic book history? Arguably, yes. The Dark Knight is among the genre's most complex and layered figures, a fascinating study of trauma, grief, and unwavering loyalty. Batman's storylines, set against the bleak backdrop of the morally bankrupt cesspool that is Gotham City, are all about the struggle to save a corrupt city from itself. Gotham is more than willing to descend into chaos and madness, often led by one or more of Batman's most iconic villains.

Indeed, part of what makes the Caped Crusader such a fascinating and enduring figure is his collection of deranged enemies, all of whom have a tight grasp on the city, even from the confinement of Arkham's walls. Batman's villains are dark reflections of the Dark Knight, representing the darkest corners of his broken and dangerous psyche. Perhaps that's what sets them apart from the usual brand of over-the-top-bordering-on-ridiculous comic book villains. Batman's foes have panache to spare, but they also have that which eludes so many other comic creations: gravitas. And while Arkham Asylum has more than its fair share of noteworthy residents, a few stand out as the best Batman villains of all time.

5. The Penguin Oswald Cobblepot smiling while Batman is on his knees in DC Comics.Image used with permission by copyright holder

Many might discard Oswald Cobblepott as one of Batman's most underwhelming villains. He might not represent the same danger as some of the Cape Crusader's most noteworthy foes, but Oswald is no pushover. In decades of comic book continuity, he's proven to be a dangerous threat to Batman, ruling the Gotham underworld through a mix of wealth and good, old-fashioned violence.

The Penguin is one of Batman's best enemies. The self-declared "Gentleman of Crime" is stylish and memorable, an iconic figure of the Dark Knight's lore and a part of Gotham's very fabric. Above all, the Penguin has the rare distinction of being completely sane, making his dynamic with Batman unique. The two have sometimes been reluctant allies, with the Caped Crusader using Oswald's Iceberg Lounge as a front to gather underworld intel. The Penguin is a survivor, a resourceful and cunning man who understands that Gotham is a playing field and is more than happy to use every piece at his disposal.

4. Two-Face Split image of Harvey getting acid thrown in his face and scarred as Two-Face in the comics.Image used with permission by copyright holder

Harvey Dent is, without a doubt, the most tragic of Batman's villains. Once a bright and promising district attorney, Dent became disfigured after an attack by mob boss Salvatore Maroni. Descending into madness, Harvey adopts the Two-Face persona, indulging his dangerous and murderous instincts while joining the criminal world he once tried to dismantle.

Like most of Batman's most famous villains, Two-Face has a shtick; in his case, it's being obsessed with the concept of duality. Decades of comic book lore have seen him go from tragic enemy to disgraced antihero. However, he remains firmly on the wrong side of the law, thus always standing in contrast to Batman and his incorruptible moral code. Most impressively, Two-Face uses his expertise in law to fool and manipulate the system, exploiting its weaknesses to corrupt it further. In many ways, he is Batman's worst nightmare, a dangerous and highly intelligent manipulator who can destabilize Gotham City overnight without firing a single bullet.

3. Catwoman Catwomans raises her whip in a 1990s Catwoman comic book.Image used with permission by copyright holder

Leave it to Batman to have his most meaningful romantic relationship with a criminal. The world's most infamous cat burglar is the great love of Batman's life, with the two sharing a complex love-hate relationship spanning decades. Through it all, Catwoman has remained elusive and mystifying, a creature of shadows whose mysterious nature appeals to and troubles Batman.

Catwoman's danger lies in her ability to make Batman ignore his otherwise unwavering code. When she's on the scene, the Caped Crusader almost loses focus and lets go of his all-consuming mission. Catwoman's animosity is toward authority, especially those who abuse their power under the guise of law and order. She cannot understand Batman's constant faith in a city that's proven unwilling to change, even if she respects his enduring commitment. But at the end of the day, Catwoman has no loyalties but to herself. She is on her side, always, and no amount of bats can ever change that.

2. Ra's al Ghul Ra's Al Ghul spreading his arms while two ninjas jump behind him in DC Comics.Image used with permission by copyright holder

All hail the Demon's Head! Ra's al Ghul is, arguably and perhaps controversially, Batman's greatest adversary. A seemingly immortal criminal mastermind and the head of the League of Assassins, Ra's' reach extends far beyond Gotham. Unlike some of Batman's other enemies, who can't see past the limits of their hellish island, Ra's is international. He has eyes and ears everywhere, controlling a vast global network that often points its considerable resources toward Gotham, a city he considers beyond salvation.

Unlike other totalitarian villains, Ra's has a profound commitment to his dogma. He shares the same level of obsession as Batman, but their methods couldn't be more different. Perhaps most interesting is the respect Ra's and Batman share for one another; Ra's even refers to Batman as "Detective" as a sign of respect and often states he is not only a worthy opponent, but the only one capable of carrying on his legacy. Ra's is a dangerous and constant threat, a figure twho challenges Batman in every way.

1. The Joker Joker laughing maniacally in a comic book panel.DC Comics

Few other comic villains — indeed, few comic book characters — have reached the same level of recognition and acclaim as the Clown Prince of Crime. The Joker is Batman's archnemesis, a figure who acts as the antithesis of everything the Caped Crusader stands for. Joker is contradiction embodied, a violent and chaotic criminal mastermind with a sadistic sense of humor who uses Gotham as his playground.

Mystery surrounds Joker's background and motives, making him all the more dangerous — and fascinating. Not even Batman claims to fully understand his notoriously troubled mind. Joker has little use for wealth or influence; instead, he wants full chaos, acting as an unpredictable and unavoidable force of nature. Batman understands he will never be able to stop the Joker, and knows he is locked in a perpetual dance with him. For his part, Joker is utterly obsessed with the Caped Crusader, to the point where every move he makes is a precise and calculated effort to provoke his nemesis into breaking his moral code. But Batman never will, and the Joker will live to laugh another day.

Editors' Recommendations

Is It Just Me, Or Should Clowns Not Be Allowed In Horror Movies?

"What's the matter, kid, don't you like clowns?" snarls Sid Haig's Captain Spaulding as he terrorizes a child in Rob Zombie's grindhouse sequel The Devil's Rejects. "Ain't we fuckin' funny?" It's this aggressive try-hard energy that characterizes the modern horror clown, and a well that Zombie would return to in his 31, in which a crew of carnival workers is kidnapped and brutalized by homicidal clowns, led by the sadistic Doom-Head (Richard Brake). But there's nothing funny about any of these greasepaint ghouls.

Ditto Joaquin Phoenix in Joker, Bill Skarsgård's Pennywise in IT, and Terrifier's Art the Clown. The horror clown's appeal traditionally lay in the distance between its friendly countenance and the brutalities that generally followed. But lately, there is no contrast. 

Once a chilling subversion of a colorful sideshow personality, the horror clown has become a lazy scare tactic. Need to amp up the horror? Bring on the clowns: Art leering at his kebab-shop victims; Pennywise grinning from the sewer; and recently Twisted Metal's Sweet Tooth. There's no subversion, just an already creepy guy in overtly horrifying make-up.

This is all a far cry from the goofballs of Killer Klowns from Outer Space, or Cesar Romero's surfboarding Joker. Ross Noble did the killer clown well in Stitches – as did Reece Shearsmith in Psychoville. But in both those cases, their explicit grotesqueness was a commentary on how far the movie clown has fallen, more associated these days with monstrous lawbreaking than the tragicomic circus attraction upon which the trope is based.

Following the release of 2017's It, Clowns International representatives took to the airwaves to protest the bad rap the film gave the community. It is "a cheap Hollywood movie" that has "nothing to do with clowning", spokesclown Rob Bowker told ITV's This Morning. Diluted through overexposure and about as edgelord as an Insane Clown Posse record (talking of bad raps…), the horror clown is now so commonplace that it's lost all meaning.

Send in the clowns? It's time for a moratorium instead. Or is it just me?


Mike Flanagan's Joke Recommendations For Horror Movie Beginners Have The Potential To Scar Someone For Life

Terrifier 2 and Gremlins.

Mike Flanagan has shared his horror movie picks for those who think they don't like the genre – but don't take them too seriously.

The filmmaker shared a list on film social media site Letterboxd titled 'Mike Flanagan's Recommended Gateway Horror for Beginners', writing: "Every so often, someone says to me 'I really, really don't like horror movies' and I bite the inside of my cheek and smile at them.

"Sometimes they continue with 'what horror movies would you recommend as a gentle way in', or 'can you recommend any horror movies for beginners that are more like REAL movies?' In those cases, these are the movies I immediately recommend."

The first title on the list is Gremlins – so far, so accessible. It's from that point, however, that things take a left turn, and it becomes evident that Flanagan is pulling our collective leg. The recommendations go on to include violent French horror Martyrs, Funny Games, which sees a family subjected to sadistic games by two men who hold them hostage in their vacation home, Imprint, Takashi Mike's episode of Masters of Horror,  Wes Craven's exploitation horror debut The Last House on the Left, and A Serbian Film, which has been banned in Philippines, Spain, Australia, New Zealand, Malaysia, and Norway.

Flanagan, of course, is no stranger to the genre, as the helmer of The Haunting of Hill House, Midnight Mass, and more. His latest TV series, The Fall of the House of Usher, was released on Netflix last month, marking the director and showrunner's last collaboration with the streamer. All Flanagan's projects going forward – for the foreseeable future, at least – will be for Prime Video, instead.

Next up for Flanagan is Stephen King adaptation The Life of Chuck, starring Tom Hiddleston and Mark Hamill. While we wait for his next flick to arrive on the streamer, check out our picks of the best movies on Amazon Prime Video to add to your watch list.

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